Sunday, February 28, 2010

The New Tampa Museum

Just Like the M.o.M.a

Visiting the New Museum in Tampa on last Sunday happened to be very enjoyable. It reminded me of the Museum in New York. The Modern architecture was something to gaze at along with the new park that sat by the riverside. The museum is two stories with a huge balcony that overlooks the riverside. It has a cafe, gift shop, and open gallery on the ground floor. The museum exhibits included sculpture, installation, photography, and paintings. Some artists that were most interesting on exhibit were Henri Matisse, Garry Winogrand, and Duh So. The museum did not have many paintings of Henri Matisse, but it was still interesting to see his visual process and female contour drawings in lithograph. The photography exhibit was amazing by Garry Winogrand. He is a documentary photographer who captures different women in different settings around New York in the 1970's. The females in most of the pictures were unaware of his presence. He took pictures of all these non bra wearing women and turned their snapshot into something glamorous. Everyday women, but all beautiful in their own way. A moment frozen in time. I recommend all photo majors to go see it. Duh So had a famous installation that is brilliant. He used sheer fabric and thread to sew a whole bathroom together. It was a 3-D bathroom with a shower, sink, and toilet. Even the circuits were sewn to look like you could plug an appliance in to it. Small but fun, this museum makes a  great Sunday afternoon. $5 for student entry and $10 for non-students

Saturday, February 27, 2010

Elcott my Marclay! It Was Ok.

Ahhh! almost fell asleep , Marclay was sitting in front row. Couldn't even talk for his own work. Some historian named Elcott discussed it frame by frame. What the hell! Good talk but monotone voice and Marclay silent. Something about cyanotypes and Pollock. Famous quote, " Have to forget to be different !Don't remember everything, because your work will be the same as others. " They talked about Cindy Shermon and Man Rays Photography. Cyanotype is a popular method used by many.

Tuesday, February 2, 2010

Artists Guide pg 28-44 How to's

Showing My Work

In this chapter the author discusses different methods for submitting your art work successfully. "A work sample is a visual image of your work as captured on digital files, color transparencies, photographs, or video." This way is most efficient says Battenfield, and this will probably be the only way people can see your work without visiting it in a gallery. You cannot rely on the gallery or photographer to set up the piece correctly, so we as artists have to be knowledgeable ourselves on our own work. To make sure we have a good sample we should take pictures of the piece from different angles and heights, reduce glares, and make sure all colors of the piece are visible. It is especially important in installation pieces to have a sense of scale so adding a person next to the piece would help in the photograph. The author also said to look in art magazines, and exhibition announcements at other peoples artwork to help with your own art work. For my area in sculpture it is good to take pictures in the processes from beginning to end. She says it would be guiding the curator or gallery through my process to make them more interested. The labeling and digital camera sections are also very helpful for me because I am not familiar with those areas. This chapter is very helpful in my future success with my prints and sculptures. I learned more in this book than any teacher has taught me!

   

Artist show Jan 27th 2010

A Woman’s Hero?


It was 7:00pm on January 27th in the year 2010. The guest artist visiting the University Of South Florida was Jackie Battenfield. Famous for her paintings, leadership, and knowledge about the real world; she single-handily stormed through a life of unknown madness to leap to having her own book, The Artist’s Guide. The book uses a step by step process for dealing with the different archetypes of the art world. She explained how she got to this point starting with school. Battenfield graduated with a masters in 1978 while working at a painting supply company. Later in 1981, she decided to open up a non profit gallery in Brooklyn for artists called Rotunda. She started with a $5,000 grant and turned it over into 250,000 dollars by 1989. Jackie Battenfield learned how to write grants, sell paintings, and all while getting married and having a baby in 1982. A terrific challenge for a mom who taught herself everything about the gallery. Battenfield soon did not want to be in Gallery anymore and felt like producing more of her own artwork. As soon as she had her second child she quit the gallery in 1989. Working on her five year plan to be successful, she sold her paintings at galleries which started to pay for everything she needed. In 1991 she made $10,000 off one painting! Can you believe that? Jackie Battenfield now gives seminars around the world and teaches at Columbia University. I learned from her lecture that if I set my goals, I can accomplish them just as she did. She said to always write thank you notes, do follow up calls, and always think about the next year right now. This woman had plans and nothing stopped her from achieving those goals, not even her two kids and husband. G.A.P. Goals- Attitude- Perseverance

Set Your Goals pg 12

Goals, Goals, Goals

Short term: up to 2 years

finish my bachelors degree
intern or apprentice with working artist
show in the oliver gallery
get a nice car/ 300z
travel to france
learn better time management
read more often about art
make two pieces every 6 months and sell
have a job doing the stuff i love

Long term: maybe 5 years

Masters in interior design or sculpture or both
building first nightclub
have first installation piece at a well known gallery
own something
travel to India
make a sculpture for an outside space or museum

After 10 years:

have a family
established interior design co.
build more nightclubs
create an enviromental organization
live in hawaii and bali
have been shown at the MOMA for my installations